Jazz Standard

All of Me chords

All of Me by Jazz Standard is an intermediate song in C, played with no capo. The whole sheet is 8 chords (C, E7, A7, Dm7, D7, G7, F, Fm7) across 4 sections: A1 → A2 → B → C. 5 of the 8 shapes are open chords. Shapes that use a barre: Dm7, F, Fm7. It sits at roughly 120 BPM.

By Chiye · Updated

A1 · ♩=120
CCE7E7

Hardest change in the sheet: F → Fm7, once.

Difficulty
Intermediatebarre shape Dm7
Key
Cwith no capo
Tempo
120BPM
Tuning
Standard (E A D G B E)low to high
Chords
85 open, 3 with a barre
Sections
4each with its own progression
Transpose0

Chords in All of Me

Frets read low E to high E, x means leave that string out.

Chord sheet

One chord per bar in this practice sheet. Follow the time signature shown beside each section; dots mark the remaining counts in the bar. Tap a bar to hear its chord, or loop the section to practise the changes.

Chord accompaniment only. Follow the section notes for this arrangement’s timing. Songs whose words are public domain →

A14/4 · ♩=120

8 bars, no pattern written
CCE7E7
A7A7Dm7Dm7
| C . . . | C . . . | E7 . . . | E7 . . . || A7 . . . | A7 . . . | Dm7 . . . | Dm7 . . . |

A24/4 · ♩=120

8 bars, no pattern written
CCE7E7
A7A7Dm7Dm7
| C . . . | C . . . | E7 . . . | E7 . . . || A7 . . . | A7 . . . | Dm7 . . . | Dm7 . . . |

B4/4 · ♩=120

8 bars, no pattern written
E7E7A7A7
D7D7Dm7G7
| E7 . . . | E7 . . . | A7 . . . | A7 . . . || D7 . . . | D7 . . . | Dm7 . . . | G7 . . . |

C4/4 · ♩=120

8 bars, no pattern written
FFm7CA7
Dm7G7CC
| F . . . | Fm7 . . . | C . . . | A7 . . . || Dm7 . . . | G7 . . . | C . . . | C . . . |
Printable one-page chord chart
All of Me by Jazz Standard chord chart: 8 chord shapes with the progression for each section, in the key of C
The whole song on one page: every shape above, plus the chords for each section. Save it or print it and take it to the guitar.

How to play All of Me

This is the jazz standard, distinct from the John Legend song with the same title. The C-key arrangement links C with E7, A7, Dm7 and G7, then adds a passage through F and Fm7 before returning home.

E7 leads to A7, and A7 leads to Dm7. Learn the open shapes first: E7 keeps G# on the G string at fret 1, A7 leaves that string open, and Dm7 uses a small barre at fret 1 on the high strings. Each chord has a different bass, so let the picking thumb follow the written root.

F to Fm7 changes both the major third and the added seventh. Fm7 is F, Ab, C and Eb; it is not F major with a flat third added alongside A. In the full barre shapes, release the G string from fret 2 to fret 1 and the D string from fret 3 to fret 1.

Practise the dominant chain slowly, then isolate F to Fm7. Once both are clear, play the printed sections continuously with light comping and one chord per bar.

How to practise All of Me

Four steps computed from this sheet: the order the shapes are easiest to learn in, the changes that really occur in the progressions above, where each chord turns up, and the tempo ladder up to the speed marked here.

  1. Learn the shapes easiest first

    C (x-3-2-0-1-0, beginner) → E7 (0-2-0-1-0-0, beginner) → A7 (x-0-2-0-2-0, beginner) → D7 (x-x-0-2-1-2, beginner) → G7 (3-2-0-0-0-1, beginner) → Dm7 (x-x-0-2-1-1, intermediate, needs a barre) → F (1-3-3-2-1-1, intermediate, needs a barre) → Fm7 (1-3-1-1-1-1, intermediate, needs a barre)

    5 of the 8 shapes are open chords, so start there and leave Dm7 until the others change cleanly.

  2. Drill the changes this sheet actually uses

    A7 → Dm72×C → E72×Dm7 → G72×C → A71×

    These counts come from the progressions on this page, so they are the changes you will actually play, not a generic list of pairs to practise.

  3. Know where each chord turns up

    • CA1, A2, C
    • E7A1, A2, B
    • A7every section
    • Dm7every section
    • D7B
    • G7B, C
    • FC
    • Fm7C
  4. Climb the tempo ladder

    Start at 72 BPM and move up only when a full pass is clean: 72 → 90 → 108 → 120 BPM. The tempo marked on this sheet is 120 BPM, and the last step is the one that always feels like a jump. Stay at 108 for longer than feels necessary.

    Practise each section's chord changes slowly, then play the sheet through at a steady tempo without pausing between sections.

Playing All of Me with a capo

This sheet needs no capo. Each card shows what you would finger at that capo position so the song still sounds exactly as written. Useful when the shapes above are awkward, or when you want to sing it higher without learning new chords.

No capoas written

C E7 A7 Dm7 D7 G7 F Fm7

5 of 8 stay open

Fret 1

B Eb7 Ab7 C#m7 C#7 F#7 E Em7

2 of 8 stay open

Fret 2

Bb D7 G7 Cm7 C7 F7 Eb Ebm7

3 of 8 stay open

Fret 3

A C#7 F#7 Bm7 B7 E7 D Dm7

5 of 8 stay open

Fret 4

Ab C7 F7 Bbm7 Bb7 Eb7 C# C#m7

1 of 8 stay open

Fret 5

G B7 E7 Am7 A7 D7 C Cm7

7 of 8 stay open

Fret 6

F# Bb7 Eb7 Abm7 Ab7 C#7 B Bm7

1 of 8 stay open

Fret 7

F A7 D7 Gm7 G7 C7 Bb Bbm7

4 of 8 stay open

Working out a different key? The capo calculatordoes the same arithmetic for any chord set.

More songs built on the same chords

If All of Me clicks, these use the closest set of shapes, so the chords you just learned keep working.

More intermediate songs to learn after this one: Father and Son, Shallow, The One That Got Away, Treat You Better.

These chords across the songbookHow often each chord in All of Me turns up across all 104 songs on this site, and what it most often moves to next. The counts come from the sheet library itself, not from theory.

420bars of this chord across the songbook

70songs use this shape

Most often followed by G, 115×.

31bars of this chord across the songbook

10songs use this shape

Most often followed by A7, 4×.

49bars of this chord across the songbook

15songs use this shape

Most often followed by Dm7, 10×.

29bars of this chord across the songbook

6songs use this shape

Most often followed by G7, 13×.

45bars of this chord across the songbook

12songs use this shape

Most often followed by G, 22×.

33bars of this chord across the songbook

13songs use this shape

Most often followed by C, 11×.

114bars of this chord across the songbook

29songs use this shape

Most often followed by C, 38×.

5bars of this chord across the songbook

3songs use this shape

Most often followed by Bb7, 3×.

About these chords

What key is All of Me in?
All of Me by Jazz Standard is in the key of C, with no capo. The sheet is written in Standard (E A D G B E) tuning. Use the transpose buttons above to shift every chord to another key.
What chords does All of Me use?
All of Me uses 8 chords: C, E7, A7, Dm7, D7, G7, F, Fm7. Each one is linked to a diagram with a play button above, so you can check the fingering and hear it without leaving the page.
Is All of Me hard to play on guitar?
It is rated Intermediate, and the chord that decides that is Dm7 (Intermediate, it needs a barre). 5 of the 8 shapes are open chords. Start well under the recorded 120 BPM and move up only when every change is clean.
How is All of Me structured?
The sheet is built from 4 sections in this order: A1 → A2 → B → C. The A1 opens with C, C, E7, E7, and the rest of the song reuses those shapes.
Do I need a capo to play All of Me?
No. All of Me is played with no capo, straight from open position. A capo would not remove the barre in Dm7: clamping one moves that shape up the neck rather than replacing it. The capo chart above lists the 8 capo positions where every shape in this song still has a fingering.
Which chord change in All of Me needs the most practice?
F → Fm7 is the one to drill: it joins the two most demanding shapes in the sheet, and it comes round once, first in the C. Loop it slowly on its own before you play that section at tempo.