Traditional

Oh! Susanna chords

Oh! Susanna by Traditional is a beginner song in G, played with no capo. The whole sheet is 3 chords (G, C, D7) across 2 sections: Verse → Chorus. Every shape is an open chord, so nothing here needs barre strength. It sits at roughly 116 BPM.

By Chiye · Updated

Verse · ♩=116
GCGD7

Hardest change in the sheet: C → G, 4 times.

Difficulty
Beginnerno barre needed
Key
Gwith no capo
Tempo
116BPM
Tuning
Standard (E A D G B E)low to high
Chords
3all open shapes
Sections
2each with its own progression
Transpose0

Chords in Oh! Susanna

Frets read low E to high E, x means leave that string out.

Chord sheet

One chord per bar, four beats to the bar: the shape lands on beat one and the dots mark the beats after it, so you can see where the change falls without any lyrics. Where a section has no strumming pattern written, play one chord per bar. Tap a bar to hear it.

Verse♩=116

Folk drive →

bouncy, two beats per chord

GCGD7
GCGD7G
| G . . . | C . . . | G . . . | D7 . . . || G . . . | C . . . | G . . . | D7 . . . | G . . . |
Sing along

GI come from Alabama with my Cbanjo on my Gknee,

GI'm goin' to CLouisiana my true D7love for to Gsee.

Chorus♩=116

Folk drive →
GCGD7
GCGD7G
| G . . . | C . . . | G . . . | D7 . . . || G . . . | C . . . | G . . . | D7 . . . | G . . . |
Sing along

GOh! Susanna, Coh don't you cry for Gme,

GFor I come from CAlabama with my D7banjo on my Gknee.

Printable one-page chord chart
Oh! Susanna by Traditional chord chart: 3 chord shapes with the progression for each section, in the key of G
The whole song on one page: every shape above, plus the chords for each section. Save it or print it and take it to the guitar.

How to play Oh! Susanna

Oh! Susanna is the song Stephen Foster sold for a hundred dollars in 1848, and it went on to become the unofficial anthem of the California Gold Rush. It is also one of the cleanest examples of a two-chord-plus-turnaround song: G and C do almost everything, and D7 exists purely to send you back to the top.

The rhythm is a polka, not a pop strum. Two beats per chord, downstrokes locked to the beat, and upstrokes that catch only the top three strings. If you play it with a modern four-beat strum it still works but it stops sounding like 1848, which is most of the charm.

Because the progression is so short, it is a good song to practise one specific thing rather than the whole arrangement. Set the metronome to 100 and change chords on the beat without looking at your fretting hand. When that is automatic, move the D7 a beat earlier and hear how the song leans forward. That small displacement is the beginning of every country and folk rhythm trick you will meet later.

How to practise Oh! Susanna

Four steps computed from this sheet: the order the shapes are easiest to learn in, the changes that really occur in the progressions above, where each chord turns up, and the tempo ladder up to the recorded speed.

  1. Learn the shapes easiest first

    G (3-2-0-0-0-3, beginner) → C (x-3-2-0-1-0, beginner) → D7 (x-x-0-2-1-2, beginner)

    3 of the 3 shapes are open chords, so nothing here needs barre strength yet.

  2. Drill the changes this sheet actually uses

    C → G4×G → C4×G → D74×D7 → G2×

    These counts come from the progressions on this page, so they are the changes you will actually play, not a generic list of pairs to practise.

  3. Know where each chord turns up

    • Gevery section
    • Cevery section
    • D7every section
  4. Climb the tempo ladder

    Start at 70 BPM and move up only when a full pass is clean: 70 → 87 → 104 → 116 BPM. The recorded feel is around 116 BPM, and the last step is the one that always feels like a jump. Stay at 104 for longer than feels necessary.

    Every section here uses the same set of shapes, so there is no section to single out. Whatever you can play once, you can play all the way through.

Playing Oh! Susanna with a capo

This sheet needs no capo. Each card shows what you would finger at that capo position so the song still sounds exactly as written. Useful when the shapes above are awkward, or when you want to sing it higher without learning new chords.

No capoas written

G C D7

3 of 3 stay open

Fret 1

F# B C#7

no open shapes left, all barre

Fret 2

F Bb C7

1 of 3 stay open

Fret 3

E A B7

3 of 3 stay open

Fret 4

Eb Ab Bb7

no open shapes left, all barre

Fret 5

D G A7

3 of 3 stay open

Fret 6

C# F# Ab7

no open shapes left, all barre

Fret 7

C F G7

2 of 3 stay open

Working out a different key? The capo calculatordoes the same arithmetic for any chord set.

More songs built on the same chords

If Oh! Susanna clicks, these use the closest set of shapes, so the chords you just learned keep working.

More beginner songs to learn after this one: Wonderwall, Let It Be, Creep, Hallelujah.

These chords across the songbookHow often each chord in Oh! Susanna turns up across all 80 songs on this site, and what it most often moves to next. The counts come from the sheet library itself, not from theory.

418bars of this chord across the songbook

59songs use this shape

Most often followed by C, 80×.

363bars of this chord across the songbook

54songs use this shape

Most often followed by G, 115×.

44bars of this chord across the songbook

12songs use this shape

Most often followed by G, 20×.

About these chords

Is Oh! Susanna public domain?
Yes. Stephen Foster wrote it in 1848 and it was published by W. C. Peters in Pittsburgh the same year. Anything published in the United States before 1930 is now in the public domain, so both the words and the melody are free to print and perform.
What is the strumming pattern for Oh! Susanna?
A two-beat folk strum suits it best, one chord change per half bar. Keep the downstrokes on the beat and let the upstrokes brush only the top three strings. The song is a polka at heart, so a rigid alternating bass sounds more authentic than a modern pop strum.
Why is the original 1848 lyric different from the one people sing?
Because Foster's second and third verses use dialect language that later editions removed. The verse and chorus above are the ones in continuous circulation. The polite version is not a censorship of Foster so much as a reflection of which verses singers actually kept.
What key is Oh! Susanna in?
Oh! Susanna by Traditional is in the key of G, with no capo. The sheet is written in Standard (E A D G B E) tuning. Use the transpose buttons above to shift every chord to another key.
What chords does Oh! Susanna use?
Oh! Susanna uses 3 chords: G, C, D7. Each one is linked to a diagram with a play button above, so you can check the fingering and hear it without leaving the page.
Is Oh! Susanna hard to play on guitar?
It is rated Beginner, and the chord that decides that is G (Beginner). 3 of the 3 shapes are open chords. Start well under the recorded 116 BPM and move up only when every change is clean.
How is Oh! Susanna structured?
The sheet is built from 2 sections in this order: Verse → Chorus. The Verse opens with G, C, G, D7, and the rest of the song reuses those shapes.
Do I need a capo to play Oh! Susanna?
No. Oh! Susanna is played with no capo, straight from open position. Every shape in it is an open chord, so a capo would not make anything easier — it would only move the key you sing in. If you prefer, moving the capo to fret 3 gives you the same sounding key with all 3 shapes in open position.
Which chord change in Oh! Susanna needs the most practice?
C → G is the one to drill: it joins the two most demanding shapes in the sheet, and it comes round 4 times, first in the Verse. Loop it slowly on its own before you play that section at tempo.